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Daily Archives: March 13, 2026

Reflections of Alice: A Tale of Two Selves.

Reflections of Alice: A Tale of Two Selves.

An original tale inspired by Lewis Carroll’s

Alice’s Adventures in Wonderland.

The mirror did not hang on a wall, nor did it rest upon a stand. It floated in the middle of the Tulgey Wood, suspended in the air like a bubble made of silver glass. Alice stopped, adjusting the skirt of her dress. She had been chasing the White Rabbit—or perhaps he had been chasing her; directions were notoriously unreliable in these parts—when she stumbled upon it.
She approached cautiously. She knew better than to touch strange objects without checking for labels reading DRINK ME or DO NOT TOUCH, but the mirror seemed harmless enough. It reflected the wood behind her: the twisted trees, the oversized mushrooms, the path that wound like a confused snake.
And it reflected Alice.
But the Alice in the mirror did not stop when Alice stopped.
The reflection stepped forward. There was a sound like a sharp intake of breath, a pop of pressure, and the girl in the glass stepped out of the frame. She landed on the moss with a soft thud, dusting off her hands.
Alice blinked. She rubbed her eyes and blinked again.
The newcomer stood before her. She wore the same blue dress with the same white apron. She had the same golden hair tied with the same black ribbon. But where Alice’s hair was parted on the left, this girl’s was parted on the right. Where Alice’s apron pocket was on her left hip, this girl’s was on the right.
“Good afternoon,” said the double. Her voice was Alice’s, but the cadence was slightly off, like a song played on a piano that had been tuned a fraction too high.
“Good afternoon,” Alice replied, instinctively curtsying. “Or perhaps it is morning. Time is difficult to keep track of here.”
“It is exactly half-past nonsense,” the double said. She did not curtsy. Instead, she tilted her head, examining Alice with a critical eye. “You look terribly confused. It suits you.”
“I am not confused,” Alice said, drawing herself up to her full height (which was currently three feet and two inches). “I am merely… observing. Who are you?”
“I am Alice,” the double said simply.
“No,” Alice countered, feeling a surge of frustration. “I am Alice. You cannot be Alice. There is only one of me. I am quite sure of it.”
“Are you?” The double walked around her, inspecting her from behind. “How do you know? Have you checked your labels? Have you tested your memory? For all you know, you are the reflection, and I am the original.”
Alice felt a cold shiver run down her spine, unrelated to the temperature of the wood. “I remember falling down the rabbit hole. I remember the tea party. I remember the Queen’s croquet ground.”
“I remember those too,” the double said, plucking a flower from a nearby bush. She smelled it and sneezed. “But I remember them differently. In my memory, the Hatter was polite. In my memory, the Queen was kind. In my memory, I never cried in the Pool of Tears.”
Alice stiffened. “I did not cry. Well, only a little. It was a very large pool.”
“You cry when you are frightened,” the double said. “I do not. I find that makes things much easier.”
The Cheshire Cat appeared then, fading in branch by branch upon a bough above them. He grinned his wide, impossible grin.
“Two Alices?” the Cat purred, his tail flicking. “How curious. Usually, one is quite enough to cause trouble. Two might cause a paradox.”
“Which one is real, Cat?” asked the double, looking up.
“Real?” The Cat chuckled. “In this wood, reality is a matter of opinion. You are both real enough to be lost. You are both real enough to be found. It depends on which way you’re walking.”
“I walk forward,” said Alice.
“I walk backward,” said the double. “It saves time on the return journey.”
Alice frowned. “That doesn’t make any sense.”
“It makes perfect sense in the Looking-Glass,” the double said. “I come from the other side of the glass. Where everything is opposite. You are polite; I am blunt. You ask permission; I take ownership. You wonder what the world is; I tell the world what I am.”
Alice looked at her double. She saw the set of her jaw, the confidence in her stance. It was terrifying, but also… intriguing. How nice it would be, Alice thought, to not be afraid of the Queen. To not worry about saying the wrong thing. To simply *be*.
“If you are the opposite,” Alice said slowly, “then you must be everything I am not.”
“Precisely,” said the double. “Which means if we touch, we might cancel each other out. Like adding a number to its negative. Zero.”
“Or,” said the Cat, “you might multiply. Infinity is rather messier than zero.”
A trumpet blast sounded in the distance. The ground trembled slightly.
“The Queen!” Alice gasped, her heart leaping into her throat. “We must hide.”
“Why?” asked the double. “I have done nothing wrong.”
“She cuts off heads!”
“Let her try,” said the double. She smoothed her apron and stood squarely in the path.
The Queen of Hearts stormed into the clearing, a procession of playing cards trailing behind her. She held a flamingo under her arm and glared at the pair.
“What is this?” the Queen bellowed. “Two of them? Is this a trick? A conspiracy? Why are there two Alices?”
“She is an impostor!” Alice cried, pointing at her double.
“She is a copy!” the double cried, pointing at Alice.
“Silence!” The Queen marched up to them, peering closely at their faces. She grabbed Alice’s chin, then the double’s chin. “Same nose. Same eyes. Same annoying habit of talking back.”
“I do not talk back,” Alice said.
“I talk back,” the double said. “And I enjoy it.”
The Queen grinned, a terrifying expression. “I like this one better. She has spirit. Off with the quiet one’s head!”
The Card soldiers raised their axes. Alice squeezed her eyes shut.
“Wait!” shouted the double.
The Queen paused. “Well? Do you wish to take her place?”
“No,” said the double. “But if you cut off her head, you cut off mine. We are reflections. You cannot have one without the other. If she disappears, I disappear. If I disappear, she disappears. Do you want no Alice at all, Your Majesty?”
The Queen frowned. She tapped her foot. The flamingo squawked. “A riddle. I hate riddles. They ruin the execution schedule.”
“It is not a riddle,” said the double. “It is logic. Even you must follow logic, or the game falls apart.”
The Queen huffed. “Fine. Keep your heads. Both of them. It’s too much trouble to sort out. Move along! All of you!”
The procession marched on, leaving the three of them in the clearing.
Alice opened her eyes. She was still whole. She looked at her double.
“You saved me,” Alice said.
“You saved yourself,” the double corrected. “I am you. My courage is your courage. You just left it behind in the glass.”
The double walked back toward the floating mirror. The surface rippled like water.
“Where are you going?” Alice asked.
“Back,” said the double. “I belong on the other side. But you… you should visit sometime. Bring your courage with you. It fits better here.”
She stepped into the mirror. For a moment, she stood on the other side, waving. Then the silver surface hardened, becoming just a glass pane again. Alice looked into it. She saw only herself.
But when she looked closer, she noticed something. Her hair was still parted on the left. Her pocket was still on the left. But her eyes… her eyes held a new steadiness. The fear was still there, but it was smaller.
“Curiouser and curiouser,” Alice whispered.
The Cheshire Cat faded away, leaving only his grin hanging in the air. “Infinity,” he murmured from nowhere. “Much better than zero.”
Alice turned and walked down the path. She did not check for labels. She did not wonder if she was dreaming. She simply walked forward, knowing that somewhere, in the glass, another Alice was walking backward, and that was perfectly alright.
 

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 The Clockwork Plague

 The Clockwork Plague

The fog over London wasn’t natural anymore. It carried the scent of oil and ozone, of brass and burning flesh. It clung to the cobblestones like a shroud, and in that shroud, the clicking began.

Tick. Tock. Tick. Tock.

Not the gentle rhythm of a grandfather clock, but the staccato march of a thousand tiny gears, grinding against bone.

Dr. Eleanor Whitmore pressed herself against the brick wall of the alley, her medical bag clutched to her chest like a shield. Her white coat was stained with soot and things darker than soot. Her stethoscope hung around her neck, useless now. What doctor could treat this?

She had seen Patient Zero three days ago. A dockworker, brought in with what she thought was tetanus. His jaw locked, his muscles rigid. But when she listened to his chest, she didn’t hear a heartbeat.

She heard ticking.

And then his skin had split open, not with blood, but with brass. Gears where his heart should be. Pistons pumping where his lungs had been. He had sat up on the table, his eyes replaced with glass lenses that whirred and focused, and he had spoken in a voice like grinding metal.

PERFECTION REQUIRES SACRIFICE.

Then the others had come. Not sick. Not dying. Transforming.

Eleanor checked her pocket watch. 11:47 PM. Thirteen minutes until midnight. Thirteen minutes until the great clock tower of Westminster would chime, and with it, the signal would spread. She had decoded the pattern in the transmissions. The plague wasn’t just mechanical, it was networked. Each clockwork victim was a node, broadcasting the conversion signal on a frequency only the dying could hear.

Click-clack. Click-clack.

The sound was closer now. She peeked around the corner of the alley.

They walked in perfect unison, these things that had once been people. Their limbs moved with jerky precision, joints replaced with ball-and-socket brass fittings. Some still wore tattered remnants of their clothes, a businessman’s suit, a maid’s dress, a child’s frock. But beneath the fabric, the truth was visible. Exposed clockwork. Glowing filaments where nerves should be. Eyes that reflected light like polished mirrors.

One of them stopped. Its head rotated 180 degrees with a sickening whirrrr. Glass eyes fixed on the alley.

DETECT ORGANIC LIFE FORM, it announced, its voice a chorus of overlapping mechanical tones.

CONTAMINANT IDENTIFIED, another responded.

PURGE INITIATED.

Eleanor ran.

She burst onto the main street, her boots slipping on the fog-slicked cobblestones. The city around her was dying. Not with screams, but with silence. Shops were dark. Homes were empty. Those who hadn’t fled were inside, barricaded, praying the ticking outside their doors would pass them by.

But it never did.

She reached the laboratory, a converted warehouse near the Thames. Her last hope. She had been working on a counter-frequency, a sound that could disrupt the clockwork signal, that could maybe, maybe, reverse the transformation if caught early enough.

Her assistant, Thomas, was waiting. Or what was left of him.

He sat at his workbench, his back to her. His shoulders moved with an unnatural rhythm. Click. Whir. Click. Whir.

Thomas? she whispered.

He turned.

Half of his face was still human. Brown eyes, freckled, the scar above his lip from a childhood accident. The other half was polished brass. A glass eye that dilated and contracted with mechanical precision. Exposed gears where his jaw should be.

Eleanor, he said, and his voice was two voices, one human, one synthetic. You should not have come.

Thomas, fight it! I can help you, I can…

HELP IS ILLOGICAL, the mechanical half of his face interrupted. PERFECTION HAS BEEN ACHIEVED.

The human half of his face twisted in agony. Tears streamed from the brown eye. Eleanor… run… please…

The brass half smiled, gears grinding. CONVERSION IS GIFT. PAIN IS TEMPORARY. ORDER IS ETERNAL.

Thomas’s body stood, moving with terrible precision. He reached for the device on the workbench, her counter-frequency generator.

DESTROY CONTAMINATION, he intoned.

Thomas, no!

He crushed the device in his mechanical hand. Sparks flew. Glass shattered.

The human eye wept. I’m sorry… I tried…

Then the human eye went dark. The face went slack. And Thomas was gone, replaced entirely by the thing wearing his skin.

YOU ARE ALONE, DOCTOR WHITMORE, the thing said. THE NETWORK IS COMPLETE. AT MIDNIGHT, ALL WILL BE PERFECT.

It stepped toward her. Behind it, through the warehouse windows, she could see them. Hundreds. Thousands. Filling the streets. All moving in perfect synchronization. All ticking in perfect harmony.

Tick. Tock. Tick. Tock.

The clock tower began to chime.

One.

Two.

Three.

Eleanor backed away, her hand closing around the scalpel in her pocket. Useless. All of it useless.

Four.

Five.

Six.

Thomas advanced. Behind him, the warehouse doors burst open. More of them poured in. Former patients. Former colleagues. Former friends.

Seven.

Eight.

Nine.

SUBMIT, they chorused. BECOME PERFECT.

Ten.

Eleven.

Twelve.

Eleanor closed her eyes.

Thirteen.

But the thirteenth chime never came.

Instead, there was silence.

She opened her eyes.

Thomas was frozen mid-step. The others were frozen too. All of them, locked in place, their gears stopped, their filaments dark.

And in the silence, Eleanor heard something else.

Not ticking.

Heartbeat.

Faint. Weak. But there.

She rushed to Thomas’s side, pressed her ear to his chest. Beneath the brass and the gears, something organic still lived. Something the transformation hadn’t reached.

The thirteenth chime hadn’t failed. It had been different. A frequency that disrupted the network. A flaw in the perfection.

Eleanor smiled through her tears.

The plague wasn’t unstoppable.

The clockwork wasn’t perfect.

And where there was imperfection, there was hope.

She picked up her tools.

She had work to do.

THE END

 

 

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