

The fire crackled merrily in the hearth of the Ballykillduff cottage, casting dancing shadows on the low-beamed ceiling. Outside, a full moon bathed the frosty fields in a soft, silvery glow, the silent world blanketed in fresh snow. But inside, it was warmth and comfort, a cocoon against the winter’s bite.
Seamus, his spectacles perched on the end of his nose, carefully mended a fishing net, his movements slow but precise, honed by years of patient work. Across the small wooden table, Maeve’s needles clicked a gentle rhythm, weaving strands of wool into a new blanket, her hands as nimble as they had been sixty years ago, though now a little gnarled by time. Between them, a steaming teapot promised another cup, and the scent of freshly baked soda bread filled the air.
Their old dog, Finn, lay curled by the fireside, dreaming canine dreams, his occasional whimper a soft counterpoint to the quiet hum of the room. On the mantelpiece, faded photographs smiled down—their children as babes, their wedding day, a generation of memories captured in sepia tones. Above the mantel, a painting of a summer harvest, vibrant and golden, was a window to another time, a vivid echo of the image we just created.
“Remember that harvest, Maeve?” Seamus murmured, his voice soft, not breaking the peace but enriching it. “The year young Michael nearly tipped O’Malley’s wagon, trying to show off.”
Maeve chuckled, a warm sound that crinkled the corners of her eyes. “And your father nearly had a fit! You were always one for teasing, Seamus Finnegan.”
He smiled, a gentle warmth spreading through him that had nothing to do with the fire. “We worked hard, didn’t we? But there was always laughter, always a song.”
Maeve nodded, her gaze drifting to the moonlit window. “And those nights, after the fields were cleared, the whole village would gather. Music, dancing… you’d try to get me to dance, always with two left feet.”
“I did my best!” Seamus protested playfully, a twinkle in his eye.
The conversation faded again into comfortable silence, punctuated by the fire’s gentle roar and the rhythmic click of Maeve’s needles. They didn’t need many words; decades of shared life, of triumphs and sorrows, of sun-drenched harvests and snow-kissed evenings, had woven a tapestry of understanding between them. Each glance, each shared sigh, spoke volumes. This cozy winter evening wasn’t just a moment in time; it was a distillation of all the moments before, a quiet, contented testament to a lifetime of love lived simply, deeply, in the heart of Ballykillduff. The past wasn’t gone; it was right here, in the warmth of the fire, the scent of the bread, and the steadfast love that glowed between them, bright as the winter moon.

The sun beat down on Ballykillduff, a golden hammer forging memories into the very earth. It was the height of summer harvest, and the fields shimmered with ripe wheat, a sea of gold stretching to the gentle hills beyond. Old Man Finnegan, his back a permanent curve from decades of toil, leaned on his scythe, wiping a brow beaded with sweat. “Aye,” he’d often say, “these are the days to remember.”
He watched the rhythm of the village unfold before him. Young Michael, barely a man, grunted as he wrestled a heavy sheaf onto a growing stack, his freckled face red with effort and a burgeoning pride. His mother, Mary, moved with the quiet grace of a seasoned farmer, her hands calloused but nimble, gathering stalks into neat bundles. Even little Brigid, no older than five, chased after her dog, a scruffy terrier named Rusty, as it darted through the stubble, imagining herself a grand huntress.
In the distance, the chugging of Mr. O’Malley’s tractor, a relatively newfangled contraption, mingled with the shouts and laughter of the men loading the hay wagon. It was a faster way, to be sure, but Finnegan preferred the quiet swish of the scythe, the feel of the earth beneath his worn boots. He remembered his own youth, when every grain was cut by hand, every stack built with sweat and song.
The stone church steeple pierced the azure sky, a silent sentinel watching over generations of harvests. White-washed cottages nestled among the trees, their chimneys hinting at the warm meals and tired bodies that would soon fill them. The air was thick with the scent of cut grass, warm earth, and the promise of a bountiful supper.
As the sun began its slow descent, painting the clouds in hues of orange and pink, Finnegan smiled. These weren’t just fields of wheat; they were fields of shared labor, of community, of life itself. He thought of his own father and grandfather, their spirits woven into the very fabric of Ballykillduff. “Aye,” he murmured again, a soft sigh escaping his lips, “these are the days that last.” The memories, golden and vivid, were as real as the setting sun, cherished treasures of a time when the land and its people moved as one, under the generous hand of a summer sky.

By the fourth week of rain, Ballykillduff stopped pretending it was temporary.
The first week had been called unfortunate. The second was concerning. By the third, people were beginning to mutter phrases like biblical and I don’t remember it ever being this wet, which in Ballykillduff was the traditional signal that something had gone deeply wrong with reality.
Jimmy McGrogan noticed it on a Tuesday.
Not the rain itself—everyone noticed that—but the way it behaved. Rain usually arrived with a bit of manners. It fell, it soaked, it left. This rain had moved in. It lingered. It leaned against doorframes. It watched through windows. It fell at angles rain had no right to fall at, drifting sideways, upwards occasionally, as though unsure which way gravity was supposed to be working that week.
Jimmy stood in his yard, rain dripping off the brim of his cap, watching the river swell until it looked less like a river and more like a decision someone had made in a panic.
“That’s not stopping,” he said aloud.
This was important, because Jimmy McGrogan was not a man given to exaggeration. When Jimmy said something wasn’t stopping, it usually meant it had already passed reasonable and was heading briskly toward legend.
By Wednesday morning, the chickens were refusing to come out of the shed, the dog was sulking under the stairs, and the postman had taken to delivering letters by throwing them vaguely in the direction of houses and hoping for the best.
That was when Jimmy began measuring.
No one noticed at first. Ballykillduff had learned long ago that noticing Jimmy McGrogan too early only made things worse. He paced the length of his field with a tape measure and a look of grim concentration. He made notes on the backs of old envelopes. He stared at the sky, nodded once, and went inside to make tea so strong it could have removed paint.
On Thursday, he bought timber.
“Doing repairs?” asked Mrs. Donnelly in the hardware shop.
“Something like that,” said Jimmy.
On Friday, the shape became unmistakable.
It was an arc. Not a curve, not a suggestion—an unmistakable, deliberate arc, rising from the soaked earth behind Jimmy’s house like an idea that had finally committed to itself. By Saturday afternoon, half the village was standing at the hedge, umbrellas sagging, watching him work.
“Is that…?” someone began.
“Yes,” said Jimmy, without looking up.
“But—”
“Yes.”
“Are you sure?”
Jimmy drove a nail home with unnecessary emphasis.
By Sunday, the rain intensified, as though offended.
The river spilled over its banks. The lower lane disappeared entirely, leaving only the tops of familiar signposts sticking out like accusations. A cow appeared in O’Flaherty’s yard, confused but polite. The church steps developed a small waterfall, which Father Keane insisted on blessing, just in case.
And Jimmy McGrogan kept building.
By the time the arc was finished, it was enormous—solid timber ribs, sealed seams, a roof sloping just enough to argue with the rain instead of surrendering to it. A door wide enough for decisions. A ramp thoughtfully added, “for anything with opinions,” Jimmy explained.
“What exactly do you think is going to happen?” asked Mrs. Donnelly.
Jimmy wiped his hands on his trousers and looked out across Ballykillduff, now shimmering with water and reflection.
“I don’t think,” he said. “I’ve checked.”
That night, the rain reached a pitch it had been working toward all along.
It fell with purpose. With memory.
People woke to water at their doorsteps, then in their kitchens, then tapping politely at the stairs. And when they went outside—boots sloshing, torches bobbing—they found Jimmy already there, opening the great wooden door of the arc.
He did not shout. He did not panic.
He simply nodded and stepped aside.
By morning, Ballykillduff floated.
Not dramatically—no roaring waves, no lightning—but gently, stubbornly, as though it had decided to refuse sinking out of spite. The arc rocked slightly, tethered to what remained of the higher ground, filled with people, animals, boxes of things someone couldn’t quite bear to leave behind.
And then, just as suddenly as it had begun, the rain stopped.
It did not slow. It did not apologise.
It stopped.
Water drained away with reluctant sighs. The river returned to something like itself. Mud claimed the streets. Ballykillduff reappeared, damp, bewildered, but intact.
Jimmy McGrogan dismantled the arc the following week.
Used the timber for sheds, fences, and one very fine bus stop. He never spoke much about it afterward, except once, when someone asked him how he’d known.
Jimmy thought for a moment.
“Well,” he said, “when the rain forgets to leave, it’s best to be polite—but prepared.”
And in Ballykillduff, no one ever argued with that.



Alice discovered quite by accident that the world has a top.
Most people, she had noticed, were too busy walking around it to check.
It wasn’t marked by a flag or a signpost—nothing as sensible as that. Instead, it felt like a place the world itself had agreed upon in a moment of quiet pride. When Alice stepped there, the ground did not wobble or roll away. It simply paused, as though holding its breath.
Below her, the Earth unfolded in bright, broken shapes: seas made of blue ideas, continents stitched together with yellows and greens, clouds cut into careful pieces like a puzzle no one had finished. The sun shone from one side and the moon from the other, neither arguing about whose turn it was.
Alice put her hands on her hips—not because she felt particularly brave, but because it seemed like the correct posture for standing somewhere important.
She waited for something dramatic to happen.
Nothing did.
“Well,” she said to the air, which was listening, “that’s rather the point, isn’t it?”
From up here, worries shrank into polite little shapes. Arguments lost their sharp edges. Even time—dangling somewhere nearby with its pocket watch—seemed unsure whether to tick forward or simply admire the view.
Alice realised then that being on top of the world did not mean ruling it, or shouting instructions down at it. It meant seeing how all the pieces fitted together, even the crooked ones. Especially the crooked ones.
After a while, she stepped down again, because no place likes to be stood upon forever.
But the world remembered.
And from that day on, whenever things felt impossibly large, Alice smiled—quietly—knowing exactly where the top was, and that she had already been there once.

Once, in the violet-hued twilight of a world called Khyra-Vel, there lived a people known only in whispers beyond their borders: the Vexari.
They were not born of flesh in the usual way. Long before the first mountain cooled and the oceans learned to dream, the planet’s core had sung a strange, low-frequency lament. That song seeped upward through crystal veins, through black soil, through the marrow of ancient trees. Where the song met lightning-struck ironwood, the first Vexari took shape—not grown, not hatched, but remembered into being.
They looked almost human at a distance: tall, long-limbed, skin the color of storm clouds reflecting fire. But come closer and the illusion frayed. Their eyes were compound mosaics, each facet holding a different hour of the day. Their hair moved even without wind, threading itself into tiny, deliberate patterns like living script. Most unsettling of all were the thin, silvery lines that ran beneath their skin—rivers of liquid starlight that pulsed faster whenever they felt strong emotion, or whenever they lied.
The Vexari did not speak with voices. They vexed. A thought, a memory, a half-formed fear would leap from one mind to another like static jumping between copper wires. To be in a room full of them was to feel every unsaid word pressing against your temples. Most outsiders went mad within hours. The few who survived learned to think in rigid, geometric patterns, building mental walls brick by brick until the onslaught dulled to a bearable hum.
For centuries the Vexari kept to themselves. Their cities grew inside colossal hollowed-out world-trees, spiraling upward and downward at once, floors becoming ceilings, gravity politely optional. They wove light into tapestries that remembered every face that had ever looked upon them. They sang to the core again, coaxing up fresh veins of song-metal they fashioned into blades that could cut sorrow from a heart without drawing blood.
Then came the strangers.
A ship of cold iron and colder ambition fell from the sky. Its crew called themselves the Reclaimers—humans mostly, though augmented until little original flesh remained. They had heard rumors of a world where thoughts could be mined like ore. They brought machines that listened, machines that recorded, machines that stole. The Reclaimers wanted to bottle vexation and sell it as a drug to the bored nobility of a dozen core systems. Eternal distraction. Perfect obedience. A mind too full to rebel.
The first Vexari they captured was named Sylith-9 (the number was not a rank but the number of times she had successfully forgotten her own name and then found it again—a prized talent among her kind).
They strapped her to a chair of braided tungsten. Electrodes kissed the silver rivers beneath her skin. The machines drank.
At first she gave them only silence.
Then she gave them everything.
Every childhood terror, every lover’s betrayal, every quiet moment she had ever doubted the core-song still loved her. The Reclaimers’ minds filled like cisterns during monsoon. They laughed. They wept. They tore at their own faces trying to scratch the memories out. Within minutes the entire boarding party was curled on the deck, rocking, whispering apologies to people who had died centuries earlier on distant worlds.
Sylith-9 stood. The silver lines under her skin now blazed white-hot. She walked among the broken crew, touching each one lightly on the forehead. Into their minds she placed a single, perfect image: the moment just before birth, when every possibility still exists and none have yet hurt you.
They never recovered. But they also never died. They simply sat, smiling softly, cradling that one safe memory while the rest of their selves slowly dissolved.
Word spread.
The Reclaimers’ sponsors sent more ships. The Vexari answered in kind.
They did not fight with weapons. They fought with stories.
They vexed entire fleets with visions of wives who had never existed, children who died in wars that never happened, futures so beautiful the crews would rather die than wake from them. They vexed navigators with false stars until ships drifted forever among reefs of dark matter. They vexed admirals with the certain knowledge that victory had already been achieved—so why keep fighting?
In the end the armada limped home, half its vessels empty, the other half carrying crews who no longer remembered their own names, only that something infinitely precious had once lived inside them and was now gone.
Khyra-Vel was left alone again.
But the Vexari changed.
They began to wonder if solitude had been a mercy or a cage.
Some drifted away from the world-tree cities, seeking the edges of known space. They hired themselves out as interrogators, grief counselors, memory sculptors. A single Vexari could unravel a warlord’s lifetime of lies in an afternoon, or rebuild a shattered mind so skillfully that even the cracks became part of the design.
Others stayed behind, singing new songs to the core—louder, more questioning songs.
And on quiet nights, when the violet twilight returns, travelers still report seeing tall figures standing at the edge of the jungle, silver lines pulsing softly, watching the stars.
They do not call out.
They simply vex.
And if you listen very carefully, you might feel the lightest brush against your thoughts:
You are remembered.
You are not alone.
Would you like to remember yourself, too?


