

Verse 1
High on the spine of the ancient wood,
Where the moss has seized what the clock understood.
A sapphire shadow, a shifting gray,
Watches the hours that refuse to sway.
Moonlight bleeds silver on gears of brass,
Reflected deep in the fractured glass.
He is the silence that follows the strike,
A perfect machine in the endless night.
The fog is his breath, the rust is his sign,
A whisper of maroon on the blue-gray line.
He measures the moment, the tension he keeps,
While the forest below is tangled in sleeps.
Oh, the Clockwork Glare!
Two eyes of burning, molten gold.
He doesn’t count the seconds, he counts the souls.
A Steampunk Spectre on a sky of blue,
With metal wings where the dream slips through.
He holds the key, he turns the lock,
The silent sentinel of the ticking clock!
The tiny butterflies, silver and frail,
Dance in the vapor beneath his veil.
A compass eye on his forehead set,
He knows the coordinates of what you regret.
The deep blue velvet of the cosmic swirl,
Just a backdrop for the cat of the world.
He’s not a protector, nor purely a threat,
He’s the moment you haven’t lived yet.
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The copper pipes wrap around his crown,
Pulling the moonlight to stream right down.
He gathers the whispers and files the screams,
The menacing architect of your darkest dreams.
Oh, the Clockwork Glare!
Two eyes of burning, molten gold.
He doesn’t count the seconds, he counts the souls.
A Steampunk Spectre on a sky of blue,
With metal wings where the dream slips through.
He holds the key, he turns the lock,
The silent sentinel of the ticking clock!
He sees the color you cannot name,
The blue that’s fueled by the fire of shame.
The gold in his vision, fragmented and deep,
A mirror to secrets the forest must keep.
The clockwork glare…
The ticking, ticking…
The first thing Alice noticed that Christmas Eve was the sound of snowflakes ticking. They didn’t fall with gentle silence, but with a soft metallic ping, ping, ping, as if the air itself were made of cogs and springs.
“Now that’s quite impossible,” she said aloud, tilting her head back to catch one. It landed on her mitten and immediately began to spin like a tiny gear before melting into a puff of steam.
She stood at the edge of Steamhaven Square, where the lamps burned with a golden glow and wreaths of holly were hung not with ribbons but with copper wire. From every chimney, plumes of scented steam rose into the night—peppermint, cinnamon, and, most peculiar of all, plum pudding.
Her companion, a brass rabbit named Tock, twitched his metal whiskers and adjusted his top hat. “Best keep moving, Miss Alice,” he said. “Father Cogsworth’s time engine has gone haywire. The town’s running backward every half hour!”
Alice blinked. “Backward? How can Christmas come if time keeps reversing?”
“That’s just it!” said Tock, hopping ahead with a little click-click-clank. “If we don’t fix it, tomorrow will never arrive. No presents, no puddings, just Christmas Eve forever!”
They hurried toward the great Clock Tower, its giant hands whirring uncertainly, striking thirteen instead of twelve. Inside, the gears ground against each other like grumpy carolers out of tune.
Father Cogsworth himself, a portly man with soot-stained spectacles and a beard full of wire, was pacing about, muttering, “She’s jammed, she’s stuck, she’s lost her rhythm entirely!”
Alice curtsied politely. “Excuse me, sir. Might I be of some assistance?”
He looked at her, blinking behind his brass lenses. “A child? Oh, heavens, what could you possibly do?”
Alice smiled. “Why, ask the clock nicely, of course.”
Before anyone could stop her, she stepped up to the gleaming core of the tower, a mass of ticking gears, glowing valves, and a crystal heart pulsing faintly beneath a veil of frost. She laid her hand upon it.
“Now then,” she said gently, “you’ve been working very hard this year, haven’t you? All those seconds and minutes, turning and tocking and keeping everyone on time. But Christmas isn’t about being perfect, it’s about pausing long enough to enjoy the wonder of it.”
For a moment, nothing happened. Then the great clock gave a sigh, like a giant who’d finally stopped holding his breath. The gears slowed, steadied, and began to glow with a warm red-and-gold light.
Outside, the snow fell normally again, soft, shimmering, and quiet. The bells rang twelve, true and bright.
Tock’s eyes spun with delight. “You’ve done it, Miss Alice! You’ve unjammed time!”
Alice laughed. “I’ve only reminded it to take a rest. Even clocks deserve a holiday.”
When they stepped back into the square, the townsfolk were cheering. Children were sledding down the polished brass railings, shopkeepers handed out candied nuts, and steam-powered carolers puffed out notes shaped like stars.
Father Cogsworth presented Alice with a small, golden pocket watch. “A token of gratitude, my dear. It doesn’t tell time—it keeps memories. Open it whenever you wish to revisit tonight.”
Alice thanked him, slipped it into her apron, and looked to Tock. “Well then, what’s next on our adventure?”
The rabbit adjusted his cravat and grinned. “Hot cocoa at the Tea Engine, naturally.”
And as they strolled off together beneath the copper snow and lantern glow, the clock tower chimed again, not to mark the passage of time, but to celebrate that, for one night, everything in the world, mechanical or not. had found its perfect rhythm.
The End.


Alice was minding her own business, which is the most dangerous occupation for a girl of her size and curiosity, because one’s own business has a wicked habit of becoming everyone else’s. She had laid out her tools upon the garden path—one honest screwdriver (which insisted it was quite respectable), a pair of tweezers (which took offense at everything), and a clockwork bird with its beak stuck slightly open as if it had been caught forever in the act of saying “Oh!” The roses wobbled about on their stems in a breeze that smelled faintly of coal and toast, and the daisies gave great, polite sneezes.
“Bless you,” said Alice, for she was a well-brought-up child, even when addressing flowers.
“Steam,” sniffed a daisy, quite dignified. “We are allergic to steam.”
“There is no steam,” said Alice, peering about. “Only sunshine and Sunday. If there were steam, I should see it, and if I saw it, I should surely say it.”
At which a discreet hiss sounded from under the azalea bush, and something somewhere went tick-tock, whirr-clank, hiss-puff!—the exact sort of reply that contradicts a person very rudely without saying a word. The roses coughed. The daisies sneezed again. Alice, being one who could not resist a noise that sounded like an argument between a kettle and a typewriter, put down the screwdriver and knelt in the flowerbed.
“I say,” she called into the dark. “Are you a mouse, a mole, or a machine?”
“None and all,” said a voice like a penny-farthing talking in its sleep. “Stand clear of the exhaust.”
Alice had just time to wonder if an exhaust was something you could trip over when the soil trembled and the bush erupted. Out burst a white blur with brass rivets, whiskers wired like telegraph lines, and a waistcoat stitched with gears that clicked themselves in a most improper fashion. It was the White Rabbit—only more so, as if someone had wound him up to a higher setting.
“You’re late!” he squeaked, and a valve near his collar let off an indignant toot. “Horribly, dreadfully, scandalously late!”
“For what?” said Alice, who did not at all like being told about her lateness, especially by a creature whose ears appeared to be tuned to the Foreign Stations.
“For the Invasion Tea, of course!” He tapped his breast, where a pocket watch had given up being merely a pocket watch and bolted itself to his ribs with a handsome row of screws. “The minutes are marching without permission! The seconds have staged a revolt! The hour has barricaded itself behind a samovar! Oh, oh!” He patted himself down as if he might find a spare minute in his pockets. “No time! Even less than that! Negative time!”
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On most Tuesdays in Ballykillduff, nothing more dramatic happens than the post landing in the wrong cottage and the weather deciding to be three kinds of rain at once. Mrs. O’Toole hangs out washing and scolds the sky. Old Seamus McGroggan studies his pipe as if it might tell him who ate the last custard cream. And young Mick—ambitious, daft, and acrobatic—tries to cycle backwards down the main street while balancing a loaf on his head. (It is, he insists, “training for the circus.”)
But on this particular Tuesday, at precisely half past eleven, a copper light spread over the village like someone had polished the clouds. The hens went quiet. The sheep froze mid-chew. Father O’Malley paused with the parish bell rope in his hand and whispered, “Saints preserve us.”
Then came the sounds:
HSSSSSS… CLANK-CLONK! WHOOOOMP-TCHAK! TOOT-TOOT!
Gears rattled. Pipes sighed. Something big exhaled steam with the weary dignity of a very old kettle.
Mrs. Byrne put down her shopping basket. “That’ll be the weather packing in for the year,” she said.
“Or the circus,” said Mick hopefully, wobbling.
A shadow rippled across the crossroads. And through the copper-coloured sky, down they came: brass-plated, rivet-studded, monocle-winked, stovepipe-hatted… Daleks.
“Ah,” said Seamus softly to his pipe, “we’re doomed so.”
The first of the strange machines landed with a THOONK that made the turf stacks shiver and the pub sign spin half a turn. Its dome lifted a fraction; a curl of steam puffed out like a sigh of satisfaction.
“ATTEND!” wheezed a crisp, Victorian voice through a whistling grille. “THE AGE OF STEAM COMMENCES.”
“Will it take cash,” Mrs. Byrne whispered, “or does it run on scones?”
The brass teapot-on-wheels swivelled its monocled eyestalk. “WE REQUIRE… TEA.”
“Right,” said Mrs. O’Toole, squaring up. “That we can manage.”
And Ballykillduff held its breath.
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