Chapter One

You are cordially invited to attend a matter of considerable confusion.
Washington, Immediately.
“Morning, Alice.”
“We have been expecting you before you arrived.”
“This is Washington.”
Chapter One


Alice discovered quite by accident that the world has a top.
Most people, she had noticed, were too busy walking around it to check.
It wasn’t marked by a flag or a signpost—nothing as sensible as that. Instead, it felt like a place the world itself had agreed upon in a moment of quiet pride. When Alice stepped there, the ground did not wobble or roll away. It simply paused, as though holding its breath.
Below her, the Earth unfolded in bright, broken shapes: seas made of blue ideas, continents stitched together with yellows and greens, clouds cut into careful pieces like a puzzle no one had finished. The sun shone from one side and the moon from the other, neither arguing about whose turn it was.
Alice put her hands on her hips—not because she felt particularly brave, but because it seemed like the correct posture for standing somewhere important.
She waited for something dramatic to happen.
Nothing did.
“Well,” she said to the air, which was listening, “that’s rather the point, isn’t it?”
From up here, worries shrank into polite little shapes. Arguments lost their sharp edges. Even time—dangling somewhere nearby with its pocket watch—seemed unsure whether to tick forward or simply admire the view.
Alice realised then that being on top of the world did not mean ruling it, or shouting instructions down at it. It meant seeing how all the pieces fitted together, even the crooked ones. Especially the crooked ones.
After a while, she stepped down again, because no place likes to be stood upon forever.
But the world remembered.
And from that day on, whenever things felt impossibly large, Alice smiled—quietly—knowing exactly where the top was, and that she had already been there once.



Alice in the Magical Square of Tartaria
Ballykillduff is a village that thinks quietly.
Lanes hesitate. Grass leans when it should not. Things happen just slightly to the side of where they are supposed to be. Alice has lived there long enough to know this, and just long enough not to question it.
So when a crease appears in the air behind the Old Creamery, and a place called Tartaria slips sideways into existence, Alice is the only one who notices — and the only one who understands that some places survive by being remembered badly.
Tartaria is a civilisation that vanished by behaving too well. Now it endures in a state of almost compound memory: misremembered, misfiled, and dangerously unfinished. Maps argue. Councils disagree. Scholars from Outside begin asking sensible questions — the most dangerous kind of all.
As Alice moves between Ballykillduff and Tartaria, she discovers that memory is not passive, certainty is a trap, and being understood may be far worse than being forgotten. Worse still, Tartaria begins to misremember her.
To save both worlds, Alice must learn how to remember wrongly on purpose — without doing it too well.
Alice in Ballykillduff and the Almost-Remembered Tartaria is a whimsical, quietly unsettling fantasy in the tradition of Lewis Carroll: a story about places that think, truths that refuse to settle, and the peculiar courage it takes to remain unfinished.
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A tick, a tock, a pocket watch,
A sky of ink and butterscotch!
The rabbit runs on legs of light,
To catch the tail of noon-at-night!
The petals scream a silent tune,
Beneath a pink and pulsing moon.
Don’t drink the tea, it’s full of stars,
And tiny, golden handle-bars!
My shadow’s gone to fetch the mail,
In a thimble-boat with a paper sail.
The mushrooms groan and start to sneeze,
While logic buckles at the knees!
So tip your cap to the empty chair,
And weave some chaos through your hair!
For when the rabbit rings the bell,
There’s simply nothing left to tell!

A swirl of logic, backwards-bound,
Where feet are lost and skies are found!
The tea is cold, the clock is dead,
With buttered toast inside my head!
The blossoms roar a petal-song,
Where right is right and wrong is long.
I’ve painted all the lilies green,
And danced with ghosts I’ve never seen!
The stars are buttons on a vest,
The moon is put to final rest.
A sneeze of glitter, a cough of gold,
A story that can’t quite be told!
So pour the wine that isn’t there,
And comb the static from your hair!
For in this wild and dizzy place,
There’s not a lick of time or space!

Oh, bother and bluster, and cogs in the head!
My teacup is empty, my sanity fled!
A tick-tock of madness, a dizzying spin,
Where is the joy, where does chaos begin?
My eyes are like saucers, my smile’s quite askew,
A day without logic, eternally new!
The steam from my brew whispers secrets untold,
Of moments quite frantic, of stories too bold!
My hat, it’s a shambles, much like my own mind,
With patches of nonsense, for all humankind!
The gears in the ether, they clatter and chime,
Is it teatime forever, or just for a time?
A jumble of trinkets, and teabags that fly,
A world in a muddle, beneath a mad sky!
Though tired and tattered, my spirit still gleams,
For the maddest of thoughts fuel the wildest of dreams!

One crisp autumn morning in 2025, King Charles III was tending to his organic gardens at Highgrove House, muttering to his beloved plants about the virtues of sustainable composting. “You see, my dears,” he said to a row of heirloom tomatoes, “one must nurture the soil as one nurtures the realm.” But as he bent down to inspect a particularly plump specimen, the ground trembled. A mischievous baby hippopotamus—escaped from the Windsor Safari Exhibit and inexplicably drawn to the royal compost heap—barreled through the hedges like a living cannonball.
Before Charles could exclaim “Good heavens!”, the hippo, whom he later dubbed Sir Splashalot, scooped him up with its snout and charged toward a peculiar rabbit hole that had appeared out of nowhere amid the flowerbeds. “Unhand me, you aquatic rascal!” the King shouted, but it was too late. With a mighty leap, Sir Splashalot plunged into the hole, carrying His Majesty tumbling down, down, down into a swirling vortex of colors and chaos. The crown tilted crookedly on his head, his ceremonial sceptre flailing like a conductor’s baton in a hurricane.
They emerged not in a burrow, but splash-landing in a vast, upside-down river where the water flowed uphill and fish swam through the air like birds. This was no ordinary Wonderland—it was a topsy-turvy realm called Blunderland, where logic took tea breaks and absurdity reigned supreme. Charles, drenched and disheveled, clung to Sir Splashalot’s back as the hippo paddled merrily through the rapids. “Where on earth—or rather, where off earth—are we?” he gasped.
Their first encounter was with a flock of floating teapots that bobbed along the riverbank, each spouting riddles in steamy whispers. “Why is a monarch like a leaky kettle?” one hissed. Before Charles could ponder, a new character emerged: the Jittery Jester, a lanky figure in polka-dotted pajamas with bells that jingled out of tune. The Jester was no fool; he was Blunderland’s self-appointed tour guide, cursed to rhyme everything he said. “Welcome, oh soggy sovereign, to this land of flip and flop! To escape the river’s wrath, you must hop atop a mop!”
With a twist of fate, the Jester handed Charles a glowing mop that doubled as a raft. But as the King mounted it, Sir Splashalot sneezed a mighty bubble, propelling them into a forest of candy cane trees where the leaves tasted like peppermint but turned your tongue invisible. Here, they met the Grumbling Gardener, a rotund gnome with a beard of living vines that whispered secrets. “Plants don’t talk back in your world, eh?” the Gardener grumbled, pruning a bush that shaped itself into royal portraits. “Mine do—and they’re plotting a revolution against the squirrels!”
Charles, ever the environmentalist, tried to mediate. “Perhaps a spot of diplomacy? Organic treaties?” But the vines entangled him, glowing with mischievous energy, and suddenly he shrank to the size of a thimble. Sir Splashalot, now gigantic in comparison, looked down with wide eyes. “This won’t do,” Charles declared, his voice a squeak. The Grumbling Gardener laughed. “Eat the glowing berry, Your Tiny Majesty, but beware—it might make you merry… or hairy!”
Swallowing the berry in desperation, Charles ballooned to the height of a giraffe, his crown now a comically small hat on his enormous head. Twisting through the forest, they stumbled upon a mad banquet hosted by the Queen of Quiches, a flamboyant ruler with a crown of crusty pastry and a court of animated desserts. “Off with their crusts!” she bellowed at intruders, but upon seeing Charles, she curtsied dramatically. “A fellow royal! Join our feast of folly—today’s menu: upside-down cake that makes you walk on ceilings!”
At the table, Charles met more new characters: the Whispering Wombat, a furry philosopher who debated existential questions in haikus (“Hippo runs wild / King seeks homeward path / Chaos laughs last”), and the Ticklish Troll, who guarded a bridge made of tickle feathers. The feast turned chaotic when the quiches rebelled, squirting custard at everyone. In the melee, Charles discovered a hidden twist: the Queen was actually his long-lost corgi, Fluffington, transformed by Blunderland magic! “Woof—I mean, Your Majesty?” the dog-queen yipped. “I’ve been ruling pies since that portal mishap last equinox!”
But no time for reunions—a sudden storm brewed, summoned by the Mischievous Water Sprites, tiny impish beings with wings of waterfalls and grins like whirlpools. They danced around the banquet, splashing illusions that turned the food into wriggling eels. “Play our game or stay forever!” they chorused. The game? A riddle relay where answers twisted reality. Charles, shouting in alarm, guessed wrong on the first: “What has a crown but no kingdom?” (He said “A tooth,” but it was “A bottle of ale.”) Reality warped, and suddenly Sir Splashalot could fly, lifting them all into the stormy jungle chaos above.
Soaring through thunderclouds that rained jellybeans, they crash-landed in the Lair of the Labyrinth Lizard, a serpentine beast with scales of shifting mazes. “To pass my test,” the Lizard hissed, “navigate my belly—it’s a puzzle of portals!” Inside the lizard’s maze-like innards, Charles faced twists galore: rooms that looped time, making him relive his coronation backward; mirrors that swapped personalities (briefly turning him into a hippo and Sir Splashalot into a king); and a chamber of forgotten dreams where he debated climate policy with ghostly versions of world leaders.
Emerging victorious but dizzy, Charles uncovered a shocking twist: Blunderland wasn’t a separate world—it was a dreamscape created by his own overworked mind, fueled by too much late-night reading of Lewis Carroll and worrying about parliamentary sessions. But wait—another turn! The Jittery Jester revealed he was actually a time-traveling advisor from 2050, sent back to “loosen up” the monarchy with absurdity. “Your reign needs whimsy, sire! Or it’ll crumble like dry scones.”
As the group fled a horde of chasing clockwork crocodiles (summoned by the Lizard’s sore loser tantrum), they reached the Exit Vortex—a swirling portal guarded by the final new character: the Benevolent Banana, a wise fruit sage who peeled away illusions. “To return,” it intoned, “admit one mad truth.” Charles, crown still crooked, shouted, “Riding a hippo is the best way to travel!”
With a pop and a whirl, they tumbled back to Highgrove. Charles awoke in his garden, Sir Splashalot (now just a normal escaped hippo) munching tomatoes beside him. Was it all a dream? Perhaps—but his sceptre was sticky with jellybeans, and a single water sprite winked from a puddle before vanishing.
From that day on, King Charles ruled with a touch more madness: royal decrees included “Hippo Holidays” and tea parties with talking plants. And if you listen closely in the gardens, you might hear the faint jingle of a Jester’s bells, reminding all that even kings need a dash of Blunderland in their lives.
